Choreographer-turned-director Remo D'Souza can sure set the stage on fire but isn't quite the storyteller, notes Sukanya Verma.
'On the run, Srikant must navigate uncharted territories while confronting threats and enemies from both within and beyond the nation's borders.'
The Storyteller has a lot to like and admire about it, observes Mayur Sanap.
Khushi fares better in emotional scenes but her chemistry with Junaid has the passion of a toothpaste campaign, observes Sukanya Verma.
The Sabarmati Report is so flimsy in its execution, taking offence to it would be dignifying its existence, notes Sukanya Verma.
When Ajay Devgn and the horse are off the screen, Azaad loses the little spark it has, feels Deepa Gahlot.
Suzhal: The Vortex 2 is a compelling watch with a tightly woven narrative, elevated by powerful performances, notes Divya Nair.
Zero Se Restart is a must watch for cinema students, and also, perhaps for the layperson who has never been on a film set, and is curious about what goes into the making of a movie, recommends Deepa Gahlot.
'Ayan told Karan he blundered leaving Dharma.'
Like most rom-com shows, this one lives up to the feel-good factor to a large extent despite getting a bit boring here and there, observes Namrata Thakker.
Ram Madhvani's series is all over the place and also boring to watch, complains Deepa Gahlot.
Pravinkoodu Shappu is a quirky whodunnit with its fair share of laughs, observes Arjun Menon.
After a character and film like this, at least for a while, everything else Vicky Kaushal does will look bland, asserts Deepa Gahlot.
Kangana Ranaut's decline as an actor feels complete, observes Utkarsh Mishra.
Paatal Lok 2 breaks the second season curse and spins yet another engrossing mystery, observes Mayur Sanap.
Smriti Irani is the oxygen of Kyunki Saas Bhi Kabhi Bahu Thi. When the camera zooms in on her, you'd momentarily forget she is a feisty politician in real life, notes Divya Nair.
'For me, the real victory is when people buy a ticket, sit in a theatre, and connect with the story.'
'...and say that if I don't wear a sari, they will unfollow me.' 'Today, if I have 2.9 million followers on Instagram, out of that, the majority is from the South.' 'Telugu has given me the most fame and money.'
Chhaava deserves 2 stars for the historically half-baked film that it is, but 4 stars just for its attempt on making a film on Sambhaji, observes Prasanna D Zore.
This movie is perfect for all ages. Avan Verma gives his thumbs up.
Despite being predictable, Sudhir Mishra's Tanaav Season 2 show is a good watch and doesn't lose its steam, says Namrata Thakker.
'You are an action hero, you know what kind of shoes are best for running and physical work. If you can help us with the design or suggest innovations, we will definitely implement them.'
Khoj: Parchaiyon Ke Uss Paar is too pretentious a title for the far-fetched, lightweight thriller that follows, feels Deepa Gahlot.
L2: Empuraan is an ambitious sequel that is bigger, bolder and timid in equal measure, observes Arjun Menon.
For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap.
Bromance is a fun film that doesn't take itself too seriously, observes Arjun Menon.
I would tell all my friends to go and watch Mufasa: The Lion King, recommends Krishiv Dedhia, 7.
Bandaa Singh Chaudhary compromises on its hard realism to go after an easily digestible, mass, entertainer that ultimately undoes everything that the film had set out to say, sighs Mayur Sanap.
It's too bad Viijay 69 does not let the viewer feel Anupam Kher's despair or his triumph. The most forgettable 'zero to hero' films at least managed that much, notes Deepa Gahlot.
'She only chooses roles that push her as an actor, and this was one of them.'
Vikramaditya Motwane and Satyanshu Singh have created an excellent but grim series, applauds Deepa Gahlot.
Despatch just goes on and on, sighs Mayur Sanap.
The Wild Robot is delightful children's fare and a meaningful watch for grown-ups, discovers Mayur Sanap.
In this multi-part series, Joginder Tuteja brings us the theatrical releases of 2025.
It's the season of star kids, and it continues with Chunky Pandey's nephew Ahaan Pandey getting ready for his Bollywood debut with this Friday's release, Saiyaara.
If Naam was made today, there wouldn't even have been enough audiences to boo it out of the halls, observes Deepa Gahlot.
Fiercely original filmmaking from a director whose even just good enough attempt fares much better than your average blockbusters, observes Mayur Sanap.
F1: The Movie is doing well, having crossed Rs 50 crore.
A gleefully hammy Madhuri and Vidya's volley of death stares and evil laughs engage in a ruthless glamorous tug of war in Bhool Bhulaiyaa 3, notes Sukanya Verma.
Mrs succeeds in riling you up for all the right reasons. And without resorting to high-pitched drama, applauds Sukanya Verma.
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